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The hinge shade of the Oxford collection, 0012 is a pink leaning into lilac and built on a cool undertone: neither the well-behaved nude of 0010 nor the ashy mauve of 0011, but the exact joint between the two. The DNKa' liquid builder gel carrying it is worked in one levelling coat thanks to its self-levelling fluidity, reinforcing, extending or reconstructing from a 12 ml bottle. Free from HEMA and TPO, low in acid. The pink for clients who find nudes too flat and colours too talkative.
DNKa' Fast Gel 0012 Oxford holds a strategic position in the collection: it is the tipping point between the mauves and the pinks. Its colour is a pink leaning firmly into lilac, built on a cool undertone with not a drop of yellow. The 12 ml bottle holds a liquid builder gel, a sculpting product used for reinforcement, extension, refills, correction and reconstruction, never to be confused with a gel polish.
A colour that lives between two families is always easier to advise once you can place it. Line up three tips: the ashy mauve of 0011, this pink-lilac 0012, then a softer pink. You will see straight away that 0012 keeps the violet foundation of its neighbour while gaining lightness and sweetness. That dual belonging makes it a safe bet whenever a client hesitates between nude and colour, because she leaves with both at once.
A cool pink does not behave like a warm one. It visually brightens the hand rather than warming it, which particularly flatters fair skin with a pink undertone and hands reddened by cold or manual work, whose flush it neutralises. On a golden complexion the gap is more visible and the result turns contrasted. That is not a flaw, but it deserves to be announced before the application rather than after.
This is the colour of March to June, when clients drop deep tones without yet wanting sweet pastels. 0012 offers exactly that compromise: a light, fresh shade greyed just enough to stay grown up. It also dresses a modern bridal service beautifully, as an alternative to traditional milky pinks, and photographs without turning neon under indoor lighting.
The medium fluidity of the product lets it spread and level itself with no intervention. In practice you get, within the same coat, both the strength expected of a building gel and the final shade, which removes the usual intermediate step. On a bitten or very short nail, that saving in material avoids bulk near the cuticle; on a form, it simplifies apex construction because the gel repositions itself while you settle the hand.
The base cures for 30 to 60 seconds in a 48/36 W LED-UV lamp. 0012 is then cured for 90 to 180 seconds: aim at the lower end for a thin coat on a natural nail, at the upper end for a generous extension. The top coat calls for 120 to 180 seconds. One bench tip: never correct the gel within the first ten seconds, give it time to settle and you will avoid ripples along the sidewalls.
This pink-lilac speaks best on medium-length nails, almond or ballerina, where its lightness follows the curve. Pair it with pearlescent finishes, a shimmer top or a single aurora flake on one finger. It sits effortlessly with silver and white gold, and fades beautifully into a milky white for an airy French. Avoid placing it beside a warm red, since the contrast works against both.
Choose DNKa' Fast Gel 0012 Oxford and fill the gap left between your mauves and your pinks with a single bottle.
The hinge shade of the Oxford collection, 0012 is a pink leaning into lilac and built on a cool undertone: neither the well-behaved nude of 0010 nor the ashy mauve of 0011, but the exact joint between the two. The DNKa' liquid builder gel carrying it is worked in one levelling coat thanks to its self-levelling fluidity, reinforcing, extending or reconstructing from a 12 ml bottle. Free from HEMA and TPO, low in acid. The pink for clients who find nudes too flat and colours too talkative.